There we go, as promised in various places, if you don’t like the words, at least there is a bird to look at.
Your mate really has no business blogging when there are so many other calls on his time, such as hiding from creditors and looking at birds, but he cannot let you down.
Looking around the Joe Chippish traps, a message has got through from Glossolalia, though it is hard to understand. I suspect evil Trevor has been up to something. In honour of Valentine’s Day, the Joe Chip laboratories have conducted an in depth analysis of love (scientific name: LERV), to see what its all about, Alfie. You may be surprised at our results. Or you may not.
Continuing with the romantic theme, you may be intrigued by the strange attraction your mate has to the Australian billionaire, Gina Rinehart, and the question he asks: does she have ninjas?
In the poetic realms, we consider the effect of the cryptid creature, the numb-bat, and those who seek its bite to remove all feeling, and why light is a bad thing. (Who is this “we”, Joe? I don’t know, you tell me, Joe.)
This week’s shout out goes to Osteoarch, who is a freelance osteoarchaeologist, and how cool is that? Most interesting job description I’ve come across in a while, and she gets to wear a white coat in her pictures, which I don’t. Check out her site.
Just finished “Embassytown” by China Mieville, the bestselling communist fantasist. He continues with an obsession about religion. In earlier books such as “Perdido Street Station” he wrote of demons, though they were throughgoing materialists, existing on the physical plane. In “Kraken” he was a bit more direct, depicting a London populated by members of thousands of obscure and generally warring sects. He has a respectful Marxist approach to religion – he does not believe a word of it, but acknowledges it as a real and continuing part of human existence. While a complete sceptic, he does not take the dismissive approach of a Dawkins or Hitchens, no doubt in part stemming from his Marxism, in that religion cannot be reasoned away until the material conditions of humanity change and the contradictions inherent in the capitalist system are resolved and the state withers away and so on – he has his own apocalyptic agenda whether he realises it or not. I don’t know that too many religious believers would see themselves reflected in “Kraken”, though perhaps their detractors would. yes, they can be evil, intolerant, scheming, whatever, but they can also be loyal, devoted, selfless and self sacrificing – in other words, human. However, religion is reduced to subscribing to an arbitrary series of postulates (unlike, say, Marxism).
Here, the theological concerns are definitely non-theistic. In “Embassytown”, humanity is confronted with a pre-lapsarian world, with creatures who cannot lie. This is no “Case of Conscience” James Blish world – they are not innocents – they scheme, they kill, they profit. However, for purely Darwinian reasons, they cannot lie. Humanity then introduces the serpent into their world.
It is all very interesting, however for all the discussion in reviews of the cleverness in its discussion of language and so on, it still felt arbitrary. This thing happens because these creatures happen to do this when this other thing happens. Hardly a criticism, I know, isn’t that a description of life, however I don’t know that it is justified to raise the discussion of the book as high as it has gone in some circles. It is one of the slimmest of his books (his books are getting a lot shorter than when he started, whether that is a good thing depends upon how much you were enjoying them), but frankly I thought it could have been a lot thinner.
There are many excellent science fiction touches. I enjoyed the Turing machine, however it left me feeling a bit stupid – its role just drops off, and I was left thinking that I must have missed something obvious about it and its inability to adapt. Perhaps there was a comment in there about Turing machines being a test of whether humans are conscious independent sentient beings that I missed in reading it on my daily commute. The stuff about interstellar travel on the immer and floaking are fairly lovely for those who enjoy sf. Philip K Dick when interviewed said that the pleasures of reading AE van Vogt for him included that they hinted at things unseen. There are plenty of hints in this book – interdimensional lighthouses built in the immer – leading to the irony of the narrator, existing in a world so exotic to us, being led by the human instinct to leave her humdrum existence behind and strike off into even further beyond. Whatever we reach, there is always something further. However, while I enjoyed these aspects, to me they were a little bit of a cheat. When I was elbowing my way into the novel, trying to settle in and get comfortable, there was a scene of a ship returning from the immer that was insufficiently quarantined. Suddenly, something breaks out, and reality begins to be converted into the stuff of the creature. A monster from the true beyond, something strange, a great weird moment. I thought this was a hint of the crisis to come, of the crux of the novel. No, it was mostly a throw away scene. *Sigh*
An intriguing premise, some lovely dollops of weird, but in terms of playing with words and their manifestation, I preferred the playfulness of Steven Hall’s “The Raw Shark Texts”. Perhaps I am shallow.
Happy Valentine’s Day! Your mate loves youse all!